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Podcast Interview Gary D. McGugan
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INTERVIEW WITH GARY MCGUGAN
AUTHOR OF “UNRELENTING PERIL” UNRELENTING PERIL Gary D. McGugan Independently Published (2019) ISBN 9781999565602 Review and interview by Sheri Hoyte for Reader Views (8/19) Gary D. McGugan loves to tell stories and is the author of Three Weeks Less a Day, The Multima Scheme, and Unrelenting Peril. Whether sharing a vision with colleagues in large multinational corporations, helping consulting clients implement expert advice, or writing a corporate thriller, Gary uses artful suspense to entertain and inform. His launch of a new writing career—at an age most people retire—reveals an ongoing zest for new challenges and a life-long pursuit of knowledge. Home may be in Toronto, but his love of travel and broad business knowledge accumulated from extensive experiences around the globe are evident in every chapter Gary writes. Hi Gary, Welcome to Reader Views – thank you for joining us again to talk about the final book in your Multima corporate intrigue series, Unrelenting Peril. What is this story all about? Thanks for the invitation, Sheri. It’s great to be with you again! Unrelenting Peril is a fast-paced story of organized crime’s increasingly bold attempts to infiltrate and control fictional Multima Corporation. The story takes place on four continents as CEO Suzanne Simpson and her leadership team try desperately to ward off repeated attacks on multiple fronts. It’s truly a story of corporate intrigue! As the final book in your series, did you have a notion about how you wanted to bring it all together and wrap things up? Did you know Unrelenting Peril would be the final book for the Multima series when you started the project? I decided early in the process writing Three Weeks Less a Day that I would need three books to tell the complete story. I used The Multima Scheme to dramatically advance the overall mission, and always intended to bring it all together in Unrelenting Peril. As a father and grandfather, I passionately want to see women assume many more influential roles in the corporate world. This trilogy provides a platform to entertain and engage as I portray that passion. The characters that really stand out to me in all three books, but more significantly in Unrelenting Peril, are your female characters. I admire and appreciate them all, even (and maybe especially), the “bad” girls. The depth and authenticity in which you portray them are phenomenal. What were some hurdles you faced when writing from the perspective of the opposite sex and how did you handle those challenges? I’m glad you enjoyed the women! Clearly, development of each of the female characters required proportionately more effort for me than the males, but my interest in promoting and encouraging women in business started early. I coached and mentored several women during my 40-year career with multinational corporations and learned much from their challenges and experiences. I think readers will sense this valuable experience I gained working closely with women. And, which one of those female characters surprised you the most in their development? Which one was the most intriguing to write and why? Janet Weissel is one of my favorites. She is strong and resilient and overcomes a variety of challenges – some of her own making, other from circumstances imposed on her. I tell her story in a way that certainly exposes her character flaws, but help readers perhaps understand why she made decisions and how she coped with the considerable obstacles she encountered. How realistic is the threat of a mobster organization infiltrating the corporate world? Very realistic. It may be one of the greatest threats to the capitalist system as we know it. What distinguishes your Multima corporate intrigue series from others in the genre? To be candid, I don’t know. Unlike some authors, I don’t think of other writers as competitors and don’t analyze other works in my genre to either emulate or differentiate. I like to think I’m writing stories about life and life challenges and use a corporate backdrop because that’s the environment I know most intimately. What have you learned over the course of writing the Multima Series? What is one thing you wish you knew when you started out? It’s been about 2,560 days since I started writing Three Weeks Less a Day, the first in the series. I like to tell people I learn something new virtually every day! So, I can’t begin to describe all I’ve learned – and continue to learn -- in the process. What can you tell us about your publishing experience? How did it differ from book to book? For Three Weeks Less a Day, I worked with Friessen Press a small Canadian firm. I had an enjoyable experience working with them but elected to publish The Multima Scheme with another Canadian publisher, Tellwell Talent. Despite good experiences with both, I learned the value of publishers for emerging authors is somewhat limited. In the final analysis, promotion and publicity really rely on the author, so I self-published Unrelenting Peril. Self-publishing lets me keep more of the income the books generate. Any tips for new authors about the publishing experience? I encourage aspiring writers to join a good writer’s community. Within most of these communities, we find other writers who are also publishers, graphic artists, editors, and proofreaders. Often, these local resources will be more helpful than a publisher. You have an amazing number of personal appearances planned. What do you enjoy most about the marketing aspect? Yes, this year I’m getting excellent support from Canada’s largest bookseller Indigo / Chapters. I’ll make more than 80 personal appearances in their stores in Ontario and Quebec. These events allow me to meet individual readers and chat with them about my books. I genuinely love to meet the people who read my stories. For me, this is unequivocally the best part of marketing! What does literary success look like to you? I write to entertain. If feedback from readers affirms they enjoy my writing, I consider that to be success. Clearly, writing must be commercially viable to continue in the longer-term, but I’m confident sales will continue to grow as people read and talk about my stories with their friends and family. Have you had any requests to continue the series? I know I’m experiencing a bit of withdrawal! Yes! I’m getting lots of interest from readers. While my next book won’t be a continuation of the Multima series, I’m considering another story for 2021. Now that you have a successful trilogy under your belt, what’s next in terms of your writing career? In 2020, I’ll release another suspense novel. The new book won’t use Multima Corporation in the background but will feature three characters readers have come to know in the trilogy. I think people will enjoy the entirely new paths I create for them! Do you have anything else you’d like to share with our readers? Yes. I’d like to thank every reader for his or her support! I always encourage folks to let me know how they find my stories, and I read every email or comment they may post. And I want to also thank you, Sheri, for your reviews of all three stories. I’m sure those who have not yet read my stories will truly benefit from your critical reads and assessments! Gary, thank you so much for visiting Reader Views today, and over the last few weeks. It has truly been a pleasure talking with you about your Multima series! CONNECT WITH GARY D. MCGUGAN! Website: https://www.garydmcguganbooks.com Monthly Blog: https://www.garydmcguganbooks.com/rendezvous-blog Facebook: @gary.d.mcgugan.books Twitter: @GaryDMcGugan Instagram: https://www.instagram.com/authorgarydmcgugan MEET GARY D. MCGUGAN!For readers living in Ontario, Gary has personal appearances planned in more than 80 locations of Canada’s largest bookseller – Chapters/Indigo between April and November 2019. Stop by and say hello. Visit his website to find a list of his upcoming events: https://www.garydmcguganbooks.com/news--events.html LEARN MORE ABOUT THE MULTIMA CORPORATE INTRIGUE SERIES! Read our book review for Three Weeks Less a Day Read our interview with Gary D. McGugan about Three Weeks Less a Day Read our book review for The Multima Scheme Read our interview with Gary D. McGugan about The Multima Scheme Read our book review for Unrelenting Peril |
Meet Gary D.McGugan Who Discusses his Third Novel in his Multima Series, Unrelenting Peril
Bookpleasures.com welcomesas our guest, Gary D. McGugan author of Three Weeks Less A Day, The Multima Scheme and Unrelenting Peril.
Gary is here today to discuss the third novel in the Multima series, Unrelenting Peril. Good day Gary and thanks once again to participate in our interview.
Norm: Do you ever suffer from writer’s block? If so, what do you do about it?
Gary: Thanks, Norm. It’s good to be here. So far, I’ve never encountered writer’s block from a creative perspective. It seems my brain generates a steady flow of productive ideas! Occasionally, challenges crop up. Unforeseen issues might relate to inconsistencies or plot complications that usually occur if I twist direction to increase suspense without thinking through all the implications to a story. When this happens, the only remedy is to rework one or more passages to touch up the problem.
Norm: Has a review or profile ever changed your perspective on your work?
Gary: So far, there hasn’t been a review issue that impacted my perspective. To influence a change, it would depend on the issue highlighted. For example, let’s say a reviewer thoughtfully suggests a story would benefit from more dialogue. I’ll self-assess the value of more dialogue and might well decide to consciously work more into subsequent stories. If a criticism relates to foul language or sexual encounters, my perspective probably wouldn’t change dramatically. Why? Because swearing and sex are parts of everyday life in our real world and usually need to be part of fiction for a story to become believable. That said, I take care to use coarse language and descriptive sex appropriately.
Norm: What do you believe are the elements of a good corporate thriller?
Gary: A good corporate thriller needs an intriguing plot, well-defined characters, a conflict that is easy to understand, and lots of action.
Norm: If you had to choose, which writer would you consider a mentor?
Gary: John Grisham or Wilbur Smith. Grisham because I can learn from his success creating superb stories in the legal world in much the way I create intriguing stories in the corporate world. There are similarities. Wilbur Smith has the skill to describe places and events in Africa so powerfully that sometimes I almost feel I was there!
Norm: If you had to do it all over again, would you change anything in your latest book, Unrelenting Peril?
Gary: I really like the story in Unrelenting Peril, and I think most readers enjoy the evolution of my characters as the plot becomes more complicated. I think most readers find the ending very satisfying. I strike a balance between an outcome most are cheering for with discovery of real flaws in character or judgment like most of us have at some juncture in our lives.
Norm: What is your secret in keeping the intensity of the plot throughout the narrative of Unrelenting Peril?
Gary: As a reader, I enjoy intensity. I think it’s crucial to enjoyment and satisfaction. When I’m writing, I try to read and re-read every paragraph not from my writer’s perspective but from what I think might be the perspective of my readers.
Norm: You include some very detailed dialogues in Unrelenting Peril.Where did that dialogue come from?
Gary: My forty-year experience working at senior levels of multinational corporations provided a window into how executives think and talk. I had more than 10,000 entries in my Outlook Contacts when I retired from corporate life. Of course, business people have very different personalities and react to circumstances in unique and individual ways.Similar challenges to those I create in Unrelenting Peril occur in corporations more often than many people realize. As a writer, I may take some license with tone and vocabulary to make the dialogue more dramatic, but the essence of my conversations are not foreign to the environment.
Norm: Do you agree that to have good drama there must be an emotional charge that usually comes from the individual squaring off against antagonists either out in the world or within himself or herself? If so, please elaborate and how does it fit into Unrelenting Peril?
Gary: I think the drama in Unrelenting Peril is a direct result of the number of conflicts I create. The Organization, the FBI, individual characters, and the newly introduced companies all create friction in ways that are both plausible and yet hard to believe at the same time. I think most readers will have trouble putting the story down once they start.
Norm: How much real-life do you put into your fiction? Is there much “you” in there?
Gary: Under the right circumstances, I suppose there might be a little bit of me in almost all the characters. I guess it will be a reader’s mission to try to discover which might be me and which are purely figments of an overactive imagination!
Norm: How wide-spread do you believe is the infiltration of criminal entities into legitimate business?
Gary: I think criminal entities have infiltrated -- and may actually control – a significant number of both privately owned and publicly traded companies. And I think that’s true in Canada, the United States, and in many countries around the world. I also think these elements have an insatiable appetite and continuously try to expand their influence.
Norm: Have you personally experienced this infiltration? If so, how did you react?
Gary: Yes. Every business I worked with required potential customers to make some form of application to qualify for our product or service. Such applications required extensive information from applicants, and the companies I worked for investigated the information received thoroughly. If we discovered a whiff of influence or involvement by unsavory characters, we avoided the business opportunity.
Norm: What would you like to say to writers who are reading this interview and wondering if they can keep creating, if they are good enough, if their voices and visions matter enough to share?
Gary: I encourage prospective writers to read extensively. Explore different genres. Try new authors. Study the methods and techniques of writers whose work they enjoy. I also recommend future authors join a structured community of writers to meet frequently, discuss challenges, observe what other writers are doing, and learn continuously. With those fundamental strategies, I think most aspiring writers will find a path to realize their ambitions.
Norm: Where can our readers find out more about you and Unrelenting Peril?
Gary: To learn more about Unrelenting Peril, the previous suspenseful novels in the Multima Corporation trilogy, or me, readers should visit my WEBSITE.There’s lots of information about my books, personal appearances, independent reviews and profiles, my monthly blog, and information about coming novels.
Norm: Will there be any more sequels in the Multima series?
Gary: Unrelenting Peril completes the Multima Corporation trilogy. However, I’ll release a new novel in 2020. It will have different approach – one without Multima Corporation as the backdrop. But I’m borrowing a couple interesting characters from the three novels of corporate intrigue, and I’ll cast them on a very different path. I think readers will enjoy where they’re headed.
Norm: Thanks once again and good luck with all of your future endeavors
FOLLOW HERE TO READ NORM'S REVIEW OF UNRELENTING PERIL
- By Norm Goldman
- Published July 26, 2019
Bookpleasures.com welcomesas our guest, Gary D. McGugan author of Three Weeks Less A Day, The Multima Scheme and Unrelenting Peril.
Gary is here today to discuss the third novel in the Multima series, Unrelenting Peril. Good day Gary and thanks once again to participate in our interview.
Norm: Do you ever suffer from writer’s block? If so, what do you do about it?
Gary: Thanks, Norm. It’s good to be here. So far, I’ve never encountered writer’s block from a creative perspective. It seems my brain generates a steady flow of productive ideas! Occasionally, challenges crop up. Unforeseen issues might relate to inconsistencies or plot complications that usually occur if I twist direction to increase suspense without thinking through all the implications to a story. When this happens, the only remedy is to rework one or more passages to touch up the problem.
Norm: Has a review or profile ever changed your perspective on your work?
Gary: So far, there hasn’t been a review issue that impacted my perspective. To influence a change, it would depend on the issue highlighted. For example, let’s say a reviewer thoughtfully suggests a story would benefit from more dialogue. I’ll self-assess the value of more dialogue and might well decide to consciously work more into subsequent stories. If a criticism relates to foul language or sexual encounters, my perspective probably wouldn’t change dramatically. Why? Because swearing and sex are parts of everyday life in our real world and usually need to be part of fiction for a story to become believable. That said, I take care to use coarse language and descriptive sex appropriately.
Norm: What do you believe are the elements of a good corporate thriller?
Gary: A good corporate thriller needs an intriguing plot, well-defined characters, a conflict that is easy to understand, and lots of action.
Norm: If you had to choose, which writer would you consider a mentor?
Gary: John Grisham or Wilbur Smith. Grisham because I can learn from his success creating superb stories in the legal world in much the way I create intriguing stories in the corporate world. There are similarities. Wilbur Smith has the skill to describe places and events in Africa so powerfully that sometimes I almost feel I was there!
Norm: If you had to do it all over again, would you change anything in your latest book, Unrelenting Peril?
Gary: I really like the story in Unrelenting Peril, and I think most readers enjoy the evolution of my characters as the plot becomes more complicated. I think most readers find the ending very satisfying. I strike a balance between an outcome most are cheering for with discovery of real flaws in character or judgment like most of us have at some juncture in our lives.
Norm: What is your secret in keeping the intensity of the plot throughout the narrative of Unrelenting Peril?
Gary: As a reader, I enjoy intensity. I think it’s crucial to enjoyment and satisfaction. When I’m writing, I try to read and re-read every paragraph not from my writer’s perspective but from what I think might be the perspective of my readers.
Norm: You include some very detailed dialogues in Unrelenting Peril.Where did that dialogue come from?
Gary: My forty-year experience working at senior levels of multinational corporations provided a window into how executives think and talk. I had more than 10,000 entries in my Outlook Contacts when I retired from corporate life. Of course, business people have very different personalities and react to circumstances in unique and individual ways.Similar challenges to those I create in Unrelenting Peril occur in corporations more often than many people realize. As a writer, I may take some license with tone and vocabulary to make the dialogue more dramatic, but the essence of my conversations are not foreign to the environment.
Norm: Do you agree that to have good drama there must be an emotional charge that usually comes from the individual squaring off against antagonists either out in the world or within himself or herself? If so, please elaborate and how does it fit into Unrelenting Peril?
Gary: I think the drama in Unrelenting Peril is a direct result of the number of conflicts I create. The Organization, the FBI, individual characters, and the newly introduced companies all create friction in ways that are both plausible and yet hard to believe at the same time. I think most readers will have trouble putting the story down once they start.
Norm: How much real-life do you put into your fiction? Is there much “you” in there?
Gary: Under the right circumstances, I suppose there might be a little bit of me in almost all the characters. I guess it will be a reader’s mission to try to discover which might be me and which are purely figments of an overactive imagination!
Norm: How wide-spread do you believe is the infiltration of criminal entities into legitimate business?
Gary: I think criminal entities have infiltrated -- and may actually control – a significant number of both privately owned and publicly traded companies. And I think that’s true in Canada, the United States, and in many countries around the world. I also think these elements have an insatiable appetite and continuously try to expand their influence.
Norm: Have you personally experienced this infiltration? If so, how did you react?
Gary: Yes. Every business I worked with required potential customers to make some form of application to qualify for our product or service. Such applications required extensive information from applicants, and the companies I worked for investigated the information received thoroughly. If we discovered a whiff of influence or involvement by unsavory characters, we avoided the business opportunity.
Norm: What would you like to say to writers who are reading this interview and wondering if they can keep creating, if they are good enough, if their voices and visions matter enough to share?
Gary: I encourage prospective writers to read extensively. Explore different genres. Try new authors. Study the methods and techniques of writers whose work they enjoy. I also recommend future authors join a structured community of writers to meet frequently, discuss challenges, observe what other writers are doing, and learn continuously. With those fundamental strategies, I think most aspiring writers will find a path to realize their ambitions.
Norm: Where can our readers find out more about you and Unrelenting Peril?
Gary: To learn more about Unrelenting Peril, the previous suspenseful novels in the Multima Corporation trilogy, or me, readers should visit my WEBSITE.There’s lots of information about my books, personal appearances, independent reviews and profiles, my monthly blog, and information about coming novels.
Norm: Will there be any more sequels in the Multima series?
Gary: Unrelenting Peril completes the Multima Corporation trilogy. However, I’ll release a new novel in 2020. It will have different approach – one without Multima Corporation as the backdrop. But I’m borrowing a couple interesting characters from the three novels of corporate intrigue, and I’ll cast them on a very different path. I think readers will enjoy where they’re headed.
Norm: Thanks once again and good luck with all of your future endeavors
FOLLOW HERE TO READ NORM'S REVIEW OF UNRELENTING PERIL
INTERVIEW WITH GARY MCGUGAN
AUTHOR OF “THE MULTIMA SCHEME”
THE MULTIMA SCHEME
Gary D. McGugan
Tellwell Talent (2018)
ISBN 9781773706450
Review and Interview by Sheri Hoyte for Reader Views (8/19)
Gary D. McGugan loves to tell stories and is the author of Three Weeks Less a Day, The Multima Scheme, and Unrelenting Peril. Whether sharing a vision with colleagues in large multinational corporations, helping consulting clients implement expert advice, or writing a corporate thriller, Gary uses artful suspense to entertain and inform. His launch of a new writing career—at an age most people retire—reveals an ongoing zest for new challenges and a life-long pursuit of knowledge. Home may be in Toronto, but his love of travel and broad business knowledge accumulated from extensive experiences around the globe are evident in every chapter Gary writes.
Hi Gary, Welcome to Reader Views – it’s a pleasure to have you back to talk about The Multima Scheme, the second book in your Multima corporate intrigue series. What is The Multima Scheme about?
Thanks for having me back, Sheri! The Multima Scheme is an entertaining tale about the persistent threats of some nefarious forces in organized crime to infiltrate powerful companies like fictional Multima Corporation.
As a reader, it was exciting to dig into The Multima Scheme right after finishing Three Weeks Less a Day. How soon after you published your first book did you begin writing your sequel?
I began writing The Multima Scheme while my publisher was still fiddling with layouts and cover designs for the first book in the trilogy - Three Weeks Less a Day. Writing the final chapters of the first novel, I started visualizing how Suzanne Simpson might develop and the role she should play in The Multima Scheme.
Did you have a preconceived idea about how you wanted The Multima Scheme to play out or did the plot line develop over time?
I had a clear idea how the character Suzanne Simpson would evolve and how her story would play out. I was more ambivalent about a couple other characters and created new twists and turns in the plot to develop more suspense in the story. This led to unexpected endings for them.
How much of the story came as a surprise to you as you were writing? Did any of your characters end up doing something you hadn’t planned on, taking the story in a new direction?
I think readers will be quite surprised by the character Fidelia Morales. Her ultimate direction came as a bit of a surprise to me also! But I think readers will agree her unexpected pivot adds to satisfaction with the story’s eventual outcome.
You mentioned in our last interview that it took four years to write Three Weeks Less a Day. How long did it take to write The Multima Scheme? Was it easier, harder or just different?
The Multima Scheme took about 15 months to prepare. “Just different” would be a good description of the experience. While writing the second story, I was intently focused on getting the book completed. As a result, I was more disciplined and sacrificed sales and promotion efforts to concentrate on writing. From that experience, I’ve learned successful writers today must spend as much time promoting books as actually writing them!
What are some of the challenges in writing a sequel?
I had two primary goals that create challenges. First, I wanted each of my novels to be independent, self-contained stories. Second, I was determined to avoid annoying readers of Three Weeks Less a Day with a lot of repetitive details. I think I successfully achieved both objectives.
How do you keep the plot unpredictable without sacrificing believability?
I like to ask the question, “Is it plausible?” Readers of fiction expect authors to stretch the boundaries to create interest and suspense. For every twist and turn, I ask that question during every review and edit. If it doesn’t pass my ‘plausible’ test, I find a way to tweak the plot to make it more believable.
There are a number of characters that morphed into totally different personalities in The Multima Scheme. What was it like to take already well-developed characters and dig even deeper into their psyches?
Most of us have some complexity. Over time, I find some people are not who they first appear to be. I like to weave that truth into my characters to make them become more authentic and allow readers to better relate to them.
Who is the most interesting character development-wise in The Multima Scheme?
Readers will have to decide that for themselves! Fugitive Howard Knight, executive Suzanne Simpson, conniving Janet Weissel, or aspiring Douglas Whitfield. They all demonstrate quite interesting attributes readers probably won’t initially expect.
Which character in your book are you least likely to get along with and why?
Multima Financial Services president James Fitzgerald is a staid, predictable, and perhaps even boring individual who likes to follow all the rules, all the time. I don’t!
If your books were adapted into a movie, who would you cast in the leading roles?
I have no idea! I’ll stick to writing entertaining stories and let folks with a passion for movies answer that one.
Your stories are so creative – how do you come up with your ideas? Have you ever taken any creative writing courses?
Some studies conclude people who read fiction may develop the creative side of their brain more fully. I’ve always enjoyed reading novels and study the ideas and techniques other writers use. In the corporate world, I learned early the value of the concept of ‘thinking outside the box’ and try to let my imagination run wild as often as possible.
What do your family and friends think about your writing? How do they support your writing career? How did it feel sharing your work with them for the first time?
I have an exceptionally supportive family and network of friends around the globe. I’m deeply indebted to them all. They not only buy my books; these great people promote them! Several frequently share posts on social media to help spread the word. All encourage their friends, neighbors, and associates to visit book signings and other events.
My books are a source of pride and satisfaction every time I share my work with a reader. With family and friends, even more so, because I’m confident they’ll each derive some level of enjoyment.
Do you feel you’ve grown as a writer since you began your first novel? How?
Every day I look back on some positive learning experience I’ve gained from my writing. From technique to structure or style, I think every element of my writing improves with experience, practice, and an eagerness to learn and adapt.
What can readers expect from your final book in the Multima series, Unrelenting Peril?
I think Unrelenting Peril may be the best novel of the trilogy. The story is entertaining, complex, and packed with action. Readers will see my penchant for telling stories in international settings, using a rapid pace with short chapters. I think they’ll want more. So, I’m already working on another novel to be released in 2020. It won’t have Multima Corporation in the background, but it will feature a couple intriguing characters from the Multima trilogy as they follow markedly different paths!
Gary, thank you for visiting Reader Views today. It was a pleasure learning more about you and your work!
AUTHOR OF “THE MULTIMA SCHEME”
THE MULTIMA SCHEME
Gary D. McGugan
Tellwell Talent (2018)
ISBN 9781773706450
Review and Interview by Sheri Hoyte for Reader Views (8/19)
Gary D. McGugan loves to tell stories and is the author of Three Weeks Less a Day, The Multima Scheme, and Unrelenting Peril. Whether sharing a vision with colleagues in large multinational corporations, helping consulting clients implement expert advice, or writing a corporate thriller, Gary uses artful suspense to entertain and inform. His launch of a new writing career—at an age most people retire—reveals an ongoing zest for new challenges and a life-long pursuit of knowledge. Home may be in Toronto, but his love of travel and broad business knowledge accumulated from extensive experiences around the globe are evident in every chapter Gary writes.
Hi Gary, Welcome to Reader Views – it’s a pleasure to have you back to talk about The Multima Scheme, the second book in your Multima corporate intrigue series. What is The Multima Scheme about?
Thanks for having me back, Sheri! The Multima Scheme is an entertaining tale about the persistent threats of some nefarious forces in organized crime to infiltrate powerful companies like fictional Multima Corporation.
As a reader, it was exciting to dig into The Multima Scheme right after finishing Three Weeks Less a Day. How soon after you published your first book did you begin writing your sequel?
I began writing The Multima Scheme while my publisher was still fiddling with layouts and cover designs for the first book in the trilogy - Three Weeks Less a Day. Writing the final chapters of the first novel, I started visualizing how Suzanne Simpson might develop and the role she should play in The Multima Scheme.
Did you have a preconceived idea about how you wanted The Multima Scheme to play out or did the plot line develop over time?
I had a clear idea how the character Suzanne Simpson would evolve and how her story would play out. I was more ambivalent about a couple other characters and created new twists and turns in the plot to develop more suspense in the story. This led to unexpected endings for them.
How much of the story came as a surprise to you as you were writing? Did any of your characters end up doing something you hadn’t planned on, taking the story in a new direction?
I think readers will be quite surprised by the character Fidelia Morales. Her ultimate direction came as a bit of a surprise to me also! But I think readers will agree her unexpected pivot adds to satisfaction with the story’s eventual outcome.
You mentioned in our last interview that it took four years to write Three Weeks Less a Day. How long did it take to write The Multima Scheme? Was it easier, harder or just different?
The Multima Scheme took about 15 months to prepare. “Just different” would be a good description of the experience. While writing the second story, I was intently focused on getting the book completed. As a result, I was more disciplined and sacrificed sales and promotion efforts to concentrate on writing. From that experience, I’ve learned successful writers today must spend as much time promoting books as actually writing them!
What are some of the challenges in writing a sequel?
I had two primary goals that create challenges. First, I wanted each of my novels to be independent, self-contained stories. Second, I was determined to avoid annoying readers of Three Weeks Less a Day with a lot of repetitive details. I think I successfully achieved both objectives.
How do you keep the plot unpredictable without sacrificing believability?
I like to ask the question, “Is it plausible?” Readers of fiction expect authors to stretch the boundaries to create interest and suspense. For every twist and turn, I ask that question during every review and edit. If it doesn’t pass my ‘plausible’ test, I find a way to tweak the plot to make it more believable.
There are a number of characters that morphed into totally different personalities in The Multima Scheme. What was it like to take already well-developed characters and dig even deeper into their psyches?
Most of us have some complexity. Over time, I find some people are not who they first appear to be. I like to weave that truth into my characters to make them become more authentic and allow readers to better relate to them.
Who is the most interesting character development-wise in The Multima Scheme?
Readers will have to decide that for themselves! Fugitive Howard Knight, executive Suzanne Simpson, conniving Janet Weissel, or aspiring Douglas Whitfield. They all demonstrate quite interesting attributes readers probably won’t initially expect.
Which character in your book are you least likely to get along with and why?
Multima Financial Services president James Fitzgerald is a staid, predictable, and perhaps even boring individual who likes to follow all the rules, all the time. I don’t!
If your books were adapted into a movie, who would you cast in the leading roles?
I have no idea! I’ll stick to writing entertaining stories and let folks with a passion for movies answer that one.
Your stories are so creative – how do you come up with your ideas? Have you ever taken any creative writing courses?
Some studies conclude people who read fiction may develop the creative side of their brain more fully. I’ve always enjoyed reading novels and study the ideas and techniques other writers use. In the corporate world, I learned early the value of the concept of ‘thinking outside the box’ and try to let my imagination run wild as often as possible.
What do your family and friends think about your writing? How do they support your writing career? How did it feel sharing your work with them for the first time?
I have an exceptionally supportive family and network of friends around the globe. I’m deeply indebted to them all. They not only buy my books; these great people promote them! Several frequently share posts on social media to help spread the word. All encourage their friends, neighbors, and associates to visit book signings and other events.
My books are a source of pride and satisfaction every time I share my work with a reader. With family and friends, even more so, because I’m confident they’ll each derive some level of enjoyment.
Do you feel you’ve grown as a writer since you began your first novel? How?
Every day I look back on some positive learning experience I’ve gained from my writing. From technique to structure or style, I think every element of my writing improves with experience, practice, and an eagerness to learn and adapt.
What can readers expect from your final book in the Multima series, Unrelenting Peril?
I think Unrelenting Peril may be the best novel of the trilogy. The story is entertaining, complex, and packed with action. Readers will see my penchant for telling stories in international settings, using a rapid pace with short chapters. I think they’ll want more. So, I’m already working on another novel to be released in 2020. It won’t have Multima Corporation in the background, but it will feature a couple intriguing characters from the Multima trilogy as they follow markedly different paths!
Gary, thank you for visiting Reader Views today. It was a pleasure learning more about you and your work!
In Conversation Once Again With Gary D. McGugan Who Discusses His Second Novel In The Multima Series, The Multima Scheme
Bookpleasures.com onceagain welcomes as our guest, Gary D. McGugan author of Three Weeks Less A Day, The Multima Scheme and Unrelenting Peril. Gary is here today to discuss the second novel in the Multima series, The Multima Scheme.
Good day Gary and thanks once again to participate in our interview.
Norm: Many people have the skills and drive to write a book, but failure to market and sell the book the right way is probably what keep a lot of people from finding success. Can you give us 2-3 strategies that have been effective for you in promoting your books?
Gary: It’s great to be with you again, Norm! Your question highlights the most significant challenge virtually every writer faces, and I still have to discover the silver bullet that hits the mark for optimum success.
Social media has been helpful. Starting with friends and family, I’ve leveraged relationships with Facebook, Linkedin, Twitter, and Instagram to let followers know about progress with book development, release info, reviews, and personal appearances.
I encourage visits to my WEBSITE at https://www.garydmcguganbooks.com, where I post regular Blog articles and publicize upcoming events. But much of my success results from the outstanding support provided by Canada’s largest bookseller with opportunities to hold author events in individual Indigo/Chapters/Coles outlets where I meet customers personally and introduce my stories.
Norm: With your experience as an author, is it difficult for you to read a novel just for the pleasure of being the reader?
Gary: No, it’s not difficult at all. I enjoy learning and try to learn something from every piece I read. To me, learning is a satisfying form of entertainment and I pick up some new bit of knowledge or gain insight from almost everything I read.
Norm: When you first wrote Three Weeks Less A Day did you ever think that there would be sequels?
Gary: Initially, I didn’t expect there would be a sequel. But as I developed the story, I realized more novels using the same characters would be a natural evolution. By the time I finished Three Weeks Less a Day, I’d already decided a sequel would follow and constructed its ending to lay the foundation for another story.
Norm: What was it like writing the second book in your Multima Series? Was it easier or harder than writing the first one?
Gary: Writing The Multima Scheme brought different challenges. I design each of my books to be great standalone stories. So, I take care that readers who have not read Three Weeks Less a Day can identify with characters quickly, while readers who already read the story wouldn’t find information links to the first book annoying or repetitive. I think I struck that balance well.
Norm: How did you decide you were ready to write the sequel?
Gary: As I was putting the finishing touches on Three Weeks Less a Day, I felt my internal excitement about the next story growing daily. I realized the potential for most of the major characters and started working on The Multima Scheme even before the first book was actually printed!
Norm: What was your editorial approach in writing The Multima Scheme?
Gary: I like to think of my approach to editing as linear. I read the novel several times as I’m writing, starting from the beginning each time to assure flow and consistency. I update my work after each read. When a story is complete, I do a final read and touch-ups before using an editing software package. Once I complete the manuscript, I have 5 or 6 ‘Beta Readers’ review the story and share their impressions and comments.These readers help with any story inconsistencies and provide specialized knowledge such as legal or police issues.
Once those changes are incorporated, I ask a professional editor to review, comment, and suggest. I decide which recommendations I’ll accept and re-write any problematic passages. Then, I ask a second editor to review and repeat the process. For The Multima Scheme, I actually used four professional editors, including the resource provided by Tellwell. Finally, I use a professional proofreader to catch any remaining spelling or grammar problems. I’m proud of the outcome before I sign-off for the book layout and publishing.
Norm: What do you believe is the key to any successful sequel and how did you write one that would stand alone?
Gary: I think one key to a successful sequel is achieving a delicate balance between creating an exciting new plot while intertwining bits of familiarity from the first. Another is to develop more fully one or more characters from the first story to become major influences in the second.
Norm: What is the most surprising thing you discovered while writing The Multima Scheme?
Gary: This may sound a little boring but I don’t recall any dramatic surprises in the writing process for The Multima Scheme. As I like to say often, rarely a day passes that I don’t learn something new. Because I approach life with genuine curiosity and an expectation that I’ll discover something new every day, I process fresh information with satisfaction and occasionally delight, but rarely feel the sensation of surprise.
Norm: How did you come up with the title, The Multima Scheme?
Gary: Readers told me they loved the title Three Weeks Less a Day, but some lamented the name Multima didn’t appear in the title. As I set out to name the second story, I was determined to find a way to incorporate Multima Corporation in some way. The plots of The Multima Scheme each involve some degree of conniving and planning. And the word ‘scheme’ implies a little deviousness – something out of the mainstream -- for many people. The Multima Scheme captures the involvement of Multima with a certain ambiguity that invites exploration. I think it fits well with my positioning of the story as a “novel of corporate intrigue.”
Norm: What was the most difficult part about writing The Multima Scheme?
Gary: The most difficult part about writing The Multima Scheme was the same challenge as all writing – managing my time. Amid all the other great things going on my life, it’s always a challenge to enforce the personal discipline to plan, then execute, all the required time to effectively complete the task.
Norm: What has Three Weeks Less A Day taught you that you have been able to apply to The Multima Scheme?
Gary: Your interview doesn’t have nearly enough time for me to list all the things I learned from my first novel! Let me just say this. Three Weeks Less a Day took 4 years to complete. I think The Multima Scheme is an even better story and it took 15 months to prepare.
Norm: The Multima Scheme sees some major turning points for cast of characters. Which character’s journey was your favourite to write in this book?
Gary: Howard Knight is a complex character with many layers. I love writing about him and I think readers enjoy watching him evolve in each of the stories.
Norm: I believe you have self-published your series of books. Are you still happy with your choice to pursue the indie publishing path?
Gary: I worked with publishers Friessen Press for Three Weeks Less a Day and Tellwell Talent for The Multima Scheme. Both specialize in helping new authors publish their work. I found both very capable and helpful. I learned much about publishing from them and value the experience. But for the third book in the trilogy, Unrelenting Peril, I elected to self-publish and am delighted with the results. The quality of my books is high. Booksellers around the globe can order all my novels from their conventional providers. And readers can buy in either paper or digital format wherever they usually buy their books. If a store or site doesn’t have a copy in stock, they can order it in.
Norm: Have you heard from your readers concerning The Multima Series? What kind of things do they say?
Gary: I hear from readers regularly-- by email, comments to my website, or when I meet readers during personal appearances. A few have told me The Multima Scheme is the first book they have ever read in a single sitting. Most tell me they had trouble putting the book down once they started. And readers I meet in Chapters or Indigo stores usually ask me when a third one will be ready. Since February 28, I’m able to tell them Unrelenting Peril is available now!
Norm: Thanks once again and good luck with all of your future endeavorsNorm: Thanks once again and good luck with all of your future endeavors
Follow Here To Read Norm's Review of The Multima Scheme
Follow Here To Read Norm's First Interview With Gary
- By Norm Goldman
- Published July 18, 2019
Bookpleasures.com onceagain welcomes as our guest, Gary D. McGugan author of Three Weeks Less A Day, The Multima Scheme and Unrelenting Peril. Gary is here today to discuss the second novel in the Multima series, The Multima Scheme.
Good day Gary and thanks once again to participate in our interview.
Norm: Many people have the skills and drive to write a book, but failure to market and sell the book the right way is probably what keep a lot of people from finding success. Can you give us 2-3 strategies that have been effective for you in promoting your books?
Gary: It’s great to be with you again, Norm! Your question highlights the most significant challenge virtually every writer faces, and I still have to discover the silver bullet that hits the mark for optimum success.
Social media has been helpful. Starting with friends and family, I’ve leveraged relationships with Facebook, Linkedin, Twitter, and Instagram to let followers know about progress with book development, release info, reviews, and personal appearances.
I encourage visits to my WEBSITE at https://www.garydmcguganbooks.com, where I post regular Blog articles and publicize upcoming events. But much of my success results from the outstanding support provided by Canada’s largest bookseller with opportunities to hold author events in individual Indigo/Chapters/Coles outlets where I meet customers personally and introduce my stories.
Norm: With your experience as an author, is it difficult for you to read a novel just for the pleasure of being the reader?
Gary: No, it’s not difficult at all. I enjoy learning and try to learn something from every piece I read. To me, learning is a satisfying form of entertainment and I pick up some new bit of knowledge or gain insight from almost everything I read.
Norm: When you first wrote Three Weeks Less A Day did you ever think that there would be sequels?
Gary: Initially, I didn’t expect there would be a sequel. But as I developed the story, I realized more novels using the same characters would be a natural evolution. By the time I finished Three Weeks Less a Day, I’d already decided a sequel would follow and constructed its ending to lay the foundation for another story.
Norm: What was it like writing the second book in your Multima Series? Was it easier or harder than writing the first one?
Gary: Writing The Multima Scheme brought different challenges. I design each of my books to be great standalone stories. So, I take care that readers who have not read Three Weeks Less a Day can identify with characters quickly, while readers who already read the story wouldn’t find information links to the first book annoying or repetitive. I think I struck that balance well.
Norm: How did you decide you were ready to write the sequel?
Gary: As I was putting the finishing touches on Three Weeks Less a Day, I felt my internal excitement about the next story growing daily. I realized the potential for most of the major characters and started working on The Multima Scheme even before the first book was actually printed!
Norm: What was your editorial approach in writing The Multima Scheme?
Gary: I like to think of my approach to editing as linear. I read the novel several times as I’m writing, starting from the beginning each time to assure flow and consistency. I update my work after each read. When a story is complete, I do a final read and touch-ups before using an editing software package. Once I complete the manuscript, I have 5 or 6 ‘Beta Readers’ review the story and share their impressions and comments.These readers help with any story inconsistencies and provide specialized knowledge such as legal or police issues.
Once those changes are incorporated, I ask a professional editor to review, comment, and suggest. I decide which recommendations I’ll accept and re-write any problematic passages. Then, I ask a second editor to review and repeat the process. For The Multima Scheme, I actually used four professional editors, including the resource provided by Tellwell. Finally, I use a professional proofreader to catch any remaining spelling or grammar problems. I’m proud of the outcome before I sign-off for the book layout and publishing.
Norm: What do you believe is the key to any successful sequel and how did you write one that would stand alone?
Gary: I think one key to a successful sequel is achieving a delicate balance between creating an exciting new plot while intertwining bits of familiarity from the first. Another is to develop more fully one or more characters from the first story to become major influences in the second.
Norm: What is the most surprising thing you discovered while writing The Multima Scheme?
Gary: This may sound a little boring but I don’t recall any dramatic surprises in the writing process for The Multima Scheme. As I like to say often, rarely a day passes that I don’t learn something new. Because I approach life with genuine curiosity and an expectation that I’ll discover something new every day, I process fresh information with satisfaction and occasionally delight, but rarely feel the sensation of surprise.
Norm: How did you come up with the title, The Multima Scheme?
Gary: Readers told me they loved the title Three Weeks Less a Day, but some lamented the name Multima didn’t appear in the title. As I set out to name the second story, I was determined to find a way to incorporate Multima Corporation in some way. The plots of The Multima Scheme each involve some degree of conniving and planning. And the word ‘scheme’ implies a little deviousness – something out of the mainstream -- for many people. The Multima Scheme captures the involvement of Multima with a certain ambiguity that invites exploration. I think it fits well with my positioning of the story as a “novel of corporate intrigue.”
Norm: What was the most difficult part about writing The Multima Scheme?
Gary: The most difficult part about writing The Multima Scheme was the same challenge as all writing – managing my time. Amid all the other great things going on my life, it’s always a challenge to enforce the personal discipline to plan, then execute, all the required time to effectively complete the task.
Norm: What has Three Weeks Less A Day taught you that you have been able to apply to The Multima Scheme?
Gary: Your interview doesn’t have nearly enough time for me to list all the things I learned from my first novel! Let me just say this. Three Weeks Less a Day took 4 years to complete. I think The Multima Scheme is an even better story and it took 15 months to prepare.
Norm: The Multima Scheme sees some major turning points for cast of characters. Which character’s journey was your favourite to write in this book?
Gary: Howard Knight is a complex character with many layers. I love writing about him and I think readers enjoy watching him evolve in each of the stories.
Norm: I believe you have self-published your series of books. Are you still happy with your choice to pursue the indie publishing path?
Gary: I worked with publishers Friessen Press for Three Weeks Less a Day and Tellwell Talent for The Multima Scheme. Both specialize in helping new authors publish their work. I found both very capable and helpful. I learned much about publishing from them and value the experience. But for the third book in the trilogy, Unrelenting Peril, I elected to self-publish and am delighted with the results. The quality of my books is high. Booksellers around the globe can order all my novels from their conventional providers. And readers can buy in either paper or digital format wherever they usually buy their books. If a store or site doesn’t have a copy in stock, they can order it in.
Norm: Have you heard from your readers concerning The Multima Series? What kind of things do they say?
Gary: I hear from readers regularly-- by email, comments to my website, or when I meet readers during personal appearances. A few have told me The Multima Scheme is the first book they have ever read in a single sitting. Most tell me they had trouble putting the book down once they started. And readers I meet in Chapters or Indigo stores usually ask me when a third one will be ready. Since February 28, I’m able to tell them Unrelenting Peril is available now!
Norm: Thanks once again and good luck with all of your future endeavorsNorm: Thanks once again and good luck with all of your future endeavors
Follow Here To Read Norm's Review of The Multima Scheme
Follow Here To Read Norm's First Interview With Gary
INTERVIEW WITH GARY D. MCGUGAN
AUTHOR OF THREE WEEKS LESS A DAY
Gary D. McGugan
FreisenPress (2016)
ISBN 9781460293263
Review and interview by Sheri Hoyte for Reader Views (7/19)
Gary D. McGugan loves to tell stories and is the author of Three Weeks Less a Day, The Multima Scheme, and Unrelenting Peril. Whether sharing a vision with colleagues in large multinational corporations, helping consulting clients implement expert advice, or writing a corporate thriller, Gary uses artful suspense to entertain and inform. His launch of a new writing career—at an age most people retire—reveals an ongoing zest for new challenges and a life-long pursuit of knowledge. Home may be in Toronto, but his love of travel and broad business knowledge accumulated from extensive experiences around the globe are evident in every chapter Gary writes.
Hi Gary, thank you for joining us today at Reader Views. To start, tell us a bit about your writing journey – when did you start writing and what was an early experience where you learned that language had power?
It’s great to be with you, Sheri. I’ve loved reading as long as I remember and have enjoyed writing for just as long. For me, writing has taken many forms. Like most, it started with assigned essays as a student and then evolved with my 40-year business career. I’ve written magazine articles, letters, speeches, reports, ads, brochures, presentations, proposals, and a blog.
Writing became a full-time career when I retired from corporate life, and 2019 marks 10 years since my first work of non-fiction was published.
What is Three Weeks Less a Day about?
Three Weeks Less a Day tells a fast-paced story about 20 dramatic days in the life of fictional Multima Corporation. Its founder urgently seeks a successor to become the new CEO and we watch how his carefully crafted plan unravels!
What inspired this story?
Millions of people work for large multinational companies, yet few get a glimpse into the workings and machinations at the most senior levels of management. Three Weeks Less a Day provides an entertaining peek into the boardroom. We see how elite executives work and live. But we also learn how easy it may be for criminal and other nefarious forces to infiltrate some of the largest publicly-traded companies in the world.
One of your main characters in the story, John George Mortimer, the CEO of Multima Corporation, is battling breast cancer, which is much less common among men than women. It’s an interesting and unusual development for a male character. What motivated this part of the storyline?
When I needed to create an urgent situation for John George Mortimer to identify a replacement, our daughter and a male colleague were both battling breast cancer. Fortunately, both recovered completely. But I came to realize treatment information and options for women seemed far more developed than those available for men. More than 5,000 North American men are diagnosed with breast cancer annually. So, I wanted to use John George to help make more people aware men should also be checking for lumps and other cancer indications. Early discovery and treatment almost always bring a better outcome.
There are so many layers to your wonderful characters. The division presidents are all so polished and capable, yet they each practice very different management styles. Can you give us a brief description of their influences and styles?
I’m glad you enjoyed the characters! I had fun creating and developing each of them.
Wendal Randall is president of Multima’s Technology business. He’s what a lot of people consider a nerd with a brilliant mind and a passion for all things technical. He “thinks outside the box” continuously and relates much more comfortably to technology than people.
Suzanne Simpson is president of Multima’s Supermarket division and is a well-rounded and skillful executive. Her superlative ‘people skills’ are legendary. They instill unwavering dedication and loyalty among her associates and subordinates.
James Fitzgerald is president of Mutima’s Financial Services group with unapparelled expertise in all matters financial. Many would consider this character a little bland with rigid self-discipline and extraordinary good judgment that wins respect from all.
Which one of your characters did you have the most fun with creating? Is there one you relate to most?
I really enjoy them all. Wendel was the most complex to create because his intelligence offers so much potential, while his multiple character flaws provide unique opportunities.
How does your experience in the corporate world translate into your fictional stories through the characters and/or events?
I understand the culture and environments in the upper echelons of business intimately. For readers, this creates a sense that Three Weeks Less a Day could have some truth to it even though they know I’m writing fiction. However, the plot and characters are entirely the product of what some might call my overactive imagination!
How involved was your research?
I worked in the corporate environment for 40 years and personally visited or lived in all the places where the story takes place. So, we might think about the story as a compilation of a lifetime of learning and research.
Are there certain parts of the story where you took more creative liberties with than others?
I get the FBI involved in the story. I never visited the place where they do their work in the story and have no direct knowledge they even do the work I describe. But there is enough media speculation that my scenario seems plausible to most.
How long did it take you to write Three Weeks Less a Day?
Four years. And that’s not because I’m a slow writer! In fact, I had 2 fundamental objectives. First, I wanted my debut novel to have impeccable quality so readers would want to read the stories that followed. I also wanted to create a book that would be very broadly appealing to adult women and men of all ages. I used 4 editors to bring their different biases and perspectives to my work. My editors were female and male, younger and older. Each provided valuable insight that helped to broaden the appeal of Three Weeks Less a Day for both women and men from 18-80.
Did you set out to write a series when you started writing the first book?
Initially, I didn’t intend to write a trilogy. My intention with Three Weeks Less a Day was to write one entertaining novel with the highest quality possible. As I fine-tuned the ending, I decided to finish the story in a way that laid a foundation for a second book. With The Multima Scheme, I started with the same intention. But early in the process realized I’d need a third book to complete the story of an era in Multima Corporation’s evolution. The great thing about using a multinational company as a back-drop is the life-span. If a business is well-managed, it can continue for generations! Unrelenting Peril is currently the last story I plan for Multima Corporation. However, I can always return with further stories and create a series should I eventually choose that path.
What do you like to read and which authors have inspired your own work as a writer?
I like to read very widely. I probably like as much non-fiction as fiction because I treat reading as part of my continuous learning process. I think every writer can benefit from an inquisitive mind and enduring curiosity. I’ve read many of James Patterson’s earlier works and emulate his style with short chapters, short paragraphs, and quick pace.
Being an author is a full-time job these days. What do you enjoy most about the process?
My favorite part of the process is telling a story. I love putting my thoughts to paper and creating a novel. I equally enjoy meeting my readers and potential readers to share “the story about the story.”
Many writers, it seems, are introverted by nature. Coming from the business world, I wouldn’t imagine that to be an issue with you. How has your corporate background helped with your marketing and promotion efforts?
You’re right. I love to meet new people. Promoting my work is a part of the job I look forward to and take advantage of every opportunity possible. Right now, Canada’s largest bookseller – Chapters / Indigo -- is offering excellent support. I’ll make personal appearances in more than 75 of their locations between April and November 2019. Readers who like to come say hello can find upcoming events on my website with this link: https://www.garydmcguganbooks.com/news--events.html
Where can readers connect with you and learn more about you and your work?
Thank you for asking! I’m very accessible and thanks for this opportunity to chat with you!
Website: https://www.garydmcguganbooks.com
Monthly Blog: https://www.garydmcguganbooks.com/rendezvous-blog
Facebook: @gary.d.mcgugan.books
Twitter: @GaryDMcGugan
Instagram: https://www.instagram.com/authorgarydmcgugan
AUTHOR OF THREE WEEKS LESS A DAY
Gary D. McGugan
FreisenPress (2016)
ISBN 9781460293263
Review and interview by Sheri Hoyte for Reader Views (7/19)
Gary D. McGugan loves to tell stories and is the author of Three Weeks Less a Day, The Multima Scheme, and Unrelenting Peril. Whether sharing a vision with colleagues in large multinational corporations, helping consulting clients implement expert advice, or writing a corporate thriller, Gary uses artful suspense to entertain and inform. His launch of a new writing career—at an age most people retire—reveals an ongoing zest for new challenges and a life-long pursuit of knowledge. Home may be in Toronto, but his love of travel and broad business knowledge accumulated from extensive experiences around the globe are evident in every chapter Gary writes.
Hi Gary, thank you for joining us today at Reader Views. To start, tell us a bit about your writing journey – when did you start writing and what was an early experience where you learned that language had power?
It’s great to be with you, Sheri. I’ve loved reading as long as I remember and have enjoyed writing for just as long. For me, writing has taken many forms. Like most, it started with assigned essays as a student and then evolved with my 40-year business career. I’ve written magazine articles, letters, speeches, reports, ads, brochures, presentations, proposals, and a blog.
Writing became a full-time career when I retired from corporate life, and 2019 marks 10 years since my first work of non-fiction was published.
What is Three Weeks Less a Day about?
Three Weeks Less a Day tells a fast-paced story about 20 dramatic days in the life of fictional Multima Corporation. Its founder urgently seeks a successor to become the new CEO and we watch how his carefully crafted plan unravels!
What inspired this story?
Millions of people work for large multinational companies, yet few get a glimpse into the workings and machinations at the most senior levels of management. Three Weeks Less a Day provides an entertaining peek into the boardroom. We see how elite executives work and live. But we also learn how easy it may be for criminal and other nefarious forces to infiltrate some of the largest publicly-traded companies in the world.
One of your main characters in the story, John George Mortimer, the CEO of Multima Corporation, is battling breast cancer, which is much less common among men than women. It’s an interesting and unusual development for a male character. What motivated this part of the storyline?
When I needed to create an urgent situation for John George Mortimer to identify a replacement, our daughter and a male colleague were both battling breast cancer. Fortunately, both recovered completely. But I came to realize treatment information and options for women seemed far more developed than those available for men. More than 5,000 North American men are diagnosed with breast cancer annually. So, I wanted to use John George to help make more people aware men should also be checking for lumps and other cancer indications. Early discovery and treatment almost always bring a better outcome.
There are so many layers to your wonderful characters. The division presidents are all so polished and capable, yet they each practice very different management styles. Can you give us a brief description of their influences and styles?
I’m glad you enjoyed the characters! I had fun creating and developing each of them.
Wendal Randall is president of Multima’s Technology business. He’s what a lot of people consider a nerd with a brilliant mind and a passion for all things technical. He “thinks outside the box” continuously and relates much more comfortably to technology than people.
Suzanne Simpson is president of Multima’s Supermarket division and is a well-rounded and skillful executive. Her superlative ‘people skills’ are legendary. They instill unwavering dedication and loyalty among her associates and subordinates.
James Fitzgerald is president of Mutima’s Financial Services group with unapparelled expertise in all matters financial. Many would consider this character a little bland with rigid self-discipline and extraordinary good judgment that wins respect from all.
Which one of your characters did you have the most fun with creating? Is there one you relate to most?
I really enjoy them all. Wendel was the most complex to create because his intelligence offers so much potential, while his multiple character flaws provide unique opportunities.
How does your experience in the corporate world translate into your fictional stories through the characters and/or events?
I understand the culture and environments in the upper echelons of business intimately. For readers, this creates a sense that Three Weeks Less a Day could have some truth to it even though they know I’m writing fiction. However, the plot and characters are entirely the product of what some might call my overactive imagination!
How involved was your research?
I worked in the corporate environment for 40 years and personally visited or lived in all the places where the story takes place. So, we might think about the story as a compilation of a lifetime of learning and research.
Are there certain parts of the story where you took more creative liberties with than others?
I get the FBI involved in the story. I never visited the place where they do their work in the story and have no direct knowledge they even do the work I describe. But there is enough media speculation that my scenario seems plausible to most.
How long did it take you to write Three Weeks Less a Day?
Four years. And that’s not because I’m a slow writer! In fact, I had 2 fundamental objectives. First, I wanted my debut novel to have impeccable quality so readers would want to read the stories that followed. I also wanted to create a book that would be very broadly appealing to adult women and men of all ages. I used 4 editors to bring their different biases and perspectives to my work. My editors were female and male, younger and older. Each provided valuable insight that helped to broaden the appeal of Three Weeks Less a Day for both women and men from 18-80.
Did you set out to write a series when you started writing the first book?
Initially, I didn’t intend to write a trilogy. My intention with Three Weeks Less a Day was to write one entertaining novel with the highest quality possible. As I fine-tuned the ending, I decided to finish the story in a way that laid a foundation for a second book. With The Multima Scheme, I started with the same intention. But early in the process realized I’d need a third book to complete the story of an era in Multima Corporation’s evolution. The great thing about using a multinational company as a back-drop is the life-span. If a business is well-managed, it can continue for generations! Unrelenting Peril is currently the last story I plan for Multima Corporation. However, I can always return with further stories and create a series should I eventually choose that path.
What do you like to read and which authors have inspired your own work as a writer?
I like to read very widely. I probably like as much non-fiction as fiction because I treat reading as part of my continuous learning process. I think every writer can benefit from an inquisitive mind and enduring curiosity. I’ve read many of James Patterson’s earlier works and emulate his style with short chapters, short paragraphs, and quick pace.
Being an author is a full-time job these days. What do you enjoy most about the process?
My favorite part of the process is telling a story. I love putting my thoughts to paper and creating a novel. I equally enjoy meeting my readers and potential readers to share “the story about the story.”
Many writers, it seems, are introverted by nature. Coming from the business world, I wouldn’t imagine that to be an issue with you. How has your corporate background helped with your marketing and promotion efforts?
You’re right. I love to meet new people. Promoting my work is a part of the job I look forward to and take advantage of every opportunity possible. Right now, Canada’s largest bookseller – Chapters / Indigo -- is offering excellent support. I’ll make personal appearances in more than 75 of their locations between April and November 2019. Readers who like to come say hello can find upcoming events on my website with this link: https://www.garydmcguganbooks.com/news--events.html
Where can readers connect with you and learn more about you and your work?
Thank you for asking! I’m very accessible and thanks for this opportunity to chat with you!
Website: https://www.garydmcguganbooks.com
Monthly Blog: https://www.garydmcguganbooks.com/rendezvous-blog
Facebook: @gary.d.mcgugan.books
Twitter: @GaryDMcGugan
Instagram: https://www.instagram.com/authorgarydmcgugan
In Conversation With Gary D. McGugan Author of Three Weeks Less A Day, The Multima Scheme and Unrelenting Peril
Bookpleasures.com welcomes as our guest Gary D. McGugan author of the Three Weeks Less A Day, The Multima Scheme and Unrelenting Peril.
Norm: Good day Gary and thanks for participating in our interview. Please tell our readers a little bit about your personal and professional background.
Gary: Hello, Norm. Thanks for your interest! On a personal note, I’m a husband, father, and grandfather with a wonderful extended family, living in a small community a short drive north of Toronto I worked with large multinational corporations around the globe for 40 years in positions of senior leadership and as a consultant.
I’ve done business with companies in 35 different countries and have traveled extensively for business and personal enjoyment. Since retiring from corporate life, I co-authored one work of nonfiction titled NEEDS Selling Solutions before writing three suspense novels, with another book to be released in 2020. And I still travel, but now it’s entirely for pleasure!
Norm: Are you a full-time or part-time writer? How does that affect your writing?
Gary: I consider myself a full-time author. That doesn’t mean I work on a story every day, although I spend most days researching or writing my next book. As an emerging author, I recognize any commercial success I achieve is my responsibility, so I also spend two or three days per week promoting my work with personal appearances, social media, and interviews.
Norm: In fiction as well as in non-fiction, writers very often take liberties with their material to tell a good story or make a point. But how much is too much?
Gary: Great question! I think what is too much is subjective. Readers, reviewers, and critics each will have the final say about the stories they read. For works of fiction, I use a simple test. I ask the question, “Is this plausible?” If it fails that test, it’s probably too much. But, what’s plausible is also a moving target as our society evolves!
Norm: What has been the best part about being published?
Gary: The best part about having three suspense novels in circulation is an opportunity to meet and interact with new friends. Having my work exposed to readers around the world generates dialogue in person, through social media and by communication. I meet many interesting people, and it’s satisfying to get feedback from readers about their reaction to stories or answer their questions about what will happen next!
Norm: Do you write more by logic or intuition, or some combination of the two? Please summarize your writing process.
Gary: My primary objective is to tell an entertaining story. I use a corporate backdrop because it’s an environment I know most intimately. I develop a plot and sub-plots over several weeks and know where I want to take a story before I actually start writing. When it’s time to start processing words, I follow a disciplined regime. I write each morning, and most afternoons walk outdoors.
When I walk (for about 2 hours each session), I think about the specific chapter planned for the following day, think back about specific details, look for inconsistencies, and resolve issues. That’s when I also consider unexpected twists and turns to make the story more exciting or build suspense.
Norm: What did you find most useful in learning to write? What was least useful or most destructive?
Gary: Feedback from editors, proofreaders, and beta readers is always valuable to hone the skill. I welcome it! Nothing comes to mind that was not useful or destructive.
Norm: Why did you decide to write a trilogy about a fictitious company, Multima Corporation?
Gary: Originally, I didn’t intend to write a trilogy. My intention with Three Weeks Less a Day was to write one entertaining novel with the highest quality possible. As I fine-tuned the ending, I decided to finish the story in a way that laid a foundation for a second book.
With The Multima Scheme, I started with the same intention, but early in the process realized I’d need a third book to complete the story of an era in Multima Corporation’s evolution.
The great thing about using a multinational company as a back-drop is the life-span. If a business is well-managed, it can continue for generations! WhileUnrelenting Peril is the last story I plan for Multima Corporation, in the future I can return with further books and create a series should I eventually choose that path.
Norm: How much research went into writing your debut novel in the series, Three Weeks Less A Day?
Gary: A lifetime of research went into the book. I might be considered a “poster child” for continuous, life-long experiential learning. I started my career working in a large supermarket chain and learned much about how they work. I made multiple trips to Japan as an executive of the company’s Canadian subsidiary.
During my stint living in Europe to create a new business for a German bank, I learned extensively about western European countries. And, commuting to Asia to develop a new venture for one of America’s largest financial companies, I acquired first-hand knowledge about cultures, countries, and industries that underpin characters and plots in Three Weeks Less a Day.
Norm: What was the time-line between the time you decided to write your book and publication? What were the major events along the way?
Gary: Three Weeks Less a Day was a 4-year process. Writing the book took a few months. Most of the time was devoted to editing because I established two fundamental objectives beyond writing an entertaining story.
First, I wanted the quality of my first novel to be the highest possible. I also wanted it to be broadly appealing. Recognizing we all have biases and different perspectives – including editors – I engaged 4 different professional editors including the publisher’s resource. By design, I chose editors of both genders and different ages. As expected, each provided insights and tips that helped me tweak my story and broaden its appeal. I’m proud of the result.
Norm: How did you go about creating the various characters in the novel and which one was the most difficult to create?
Gary: The most challenging character to create was Howard Knight. I have no first-hand experience with organized crime, so I had to research different criminal elements to better understand some of the circumstances and motivations that lead people to a life of crime. I think readers will enjoy how their view of this character changes over the three stories of the trilogy.
Norm: Did you write the story to express something you believe or was it just for entertainment?
Gary: The overriding objective with all my novels is to entertain. I hope readers will enjoy reading these stories as much as watching a movie or some other form of entertainment. But I also hope to share insights into the most senior levels of company management few readers get to see. I also hope to share values and impart concerns through the dialogue and actions of the characters.
Norm: What do you hope will be the everlasting thoughts for readers who finish Three Weeks Less A Day?
Gary: “Everlasting” is a long time! I don’t take myself or my work too seriously. I don’t expect to shape readers’ views of life. However, I believe organized crime is a curse our society treats too lightly.
From the terrible social consequences of human trafficking to subtle ways billions of dollars evaporate from our legitimate economy for the illegal benefit of an unscrupulous few, organized crime touches us in many different ways. I hope readers become more vigilant and concerned as I show how easy it is for criminal elements to infiltrate and control even the largest of publicly-traded corporations.
Norm: What is next for Gary D. McGugan?
Gary: Book promotion is a primary focus for 2019. Commercial success is integral to long-term writing, and I intend to make my writing successful. Canada’s largest bookseller is very supportive, so I’ll make personal appearances to promote my novels in 75 Indigo/Chapters/Coles locations in Ontario and Montreal this year.
Upcoming dates and locations are on my website at the “Events” tab. Personal appearances take time from writing, but novel #4 is already underway and it will take a different form and style. Even though the new story won’t continue to tell stories about Multima Corporation, a few of the characters readers have come to know will reappear. I’m confident readers will like the story when it’s published in late 2020!
Norm: As this interview comes to an end, what question do you wish that someone would ask about Three Weeks Less A Day, but nobody has?
Gary: I’m curious no one has wondered why Multima’s board of directors wasn’t more diligent about having a succession plan in place. I love to have an opportunity to rant about how lax many boards of directors really are!
Norm: Thanks again and good luck with all of your future endeavors
Follow Here To Read Norm's Review of Three Weeks Less A Day,
- By Norm Goldman
- Published July 15, 2019
Bookpleasures.com welcomes as our guest Gary D. McGugan author of the Three Weeks Less A Day, The Multima Scheme and Unrelenting Peril.
Norm: Good day Gary and thanks for participating in our interview. Please tell our readers a little bit about your personal and professional background.
Gary: Hello, Norm. Thanks for your interest! On a personal note, I’m a husband, father, and grandfather with a wonderful extended family, living in a small community a short drive north of Toronto I worked with large multinational corporations around the globe for 40 years in positions of senior leadership and as a consultant.
I’ve done business with companies in 35 different countries and have traveled extensively for business and personal enjoyment. Since retiring from corporate life, I co-authored one work of nonfiction titled NEEDS Selling Solutions before writing three suspense novels, with another book to be released in 2020. And I still travel, but now it’s entirely for pleasure!
Norm: Are you a full-time or part-time writer? How does that affect your writing?
Gary: I consider myself a full-time author. That doesn’t mean I work on a story every day, although I spend most days researching or writing my next book. As an emerging author, I recognize any commercial success I achieve is my responsibility, so I also spend two or three days per week promoting my work with personal appearances, social media, and interviews.
Norm: In fiction as well as in non-fiction, writers very often take liberties with their material to tell a good story or make a point. But how much is too much?
Gary: Great question! I think what is too much is subjective. Readers, reviewers, and critics each will have the final say about the stories they read. For works of fiction, I use a simple test. I ask the question, “Is this plausible?” If it fails that test, it’s probably too much. But, what’s plausible is also a moving target as our society evolves!
Norm: What has been the best part about being published?
Gary: The best part about having three suspense novels in circulation is an opportunity to meet and interact with new friends. Having my work exposed to readers around the world generates dialogue in person, through social media and by communication. I meet many interesting people, and it’s satisfying to get feedback from readers about their reaction to stories or answer their questions about what will happen next!
Norm: Do you write more by logic or intuition, or some combination of the two? Please summarize your writing process.
Gary: My primary objective is to tell an entertaining story. I use a corporate backdrop because it’s an environment I know most intimately. I develop a plot and sub-plots over several weeks and know where I want to take a story before I actually start writing. When it’s time to start processing words, I follow a disciplined regime. I write each morning, and most afternoons walk outdoors.
When I walk (for about 2 hours each session), I think about the specific chapter planned for the following day, think back about specific details, look for inconsistencies, and resolve issues. That’s when I also consider unexpected twists and turns to make the story more exciting or build suspense.
Norm: What did you find most useful in learning to write? What was least useful or most destructive?
Gary: Feedback from editors, proofreaders, and beta readers is always valuable to hone the skill. I welcome it! Nothing comes to mind that was not useful or destructive.
Norm: Why did you decide to write a trilogy about a fictitious company, Multima Corporation?
Gary: Originally, I didn’t intend to write a trilogy. My intention with Three Weeks Less a Day was to write one entertaining novel with the highest quality possible. As I fine-tuned the ending, I decided to finish the story in a way that laid a foundation for a second book.
With The Multima Scheme, I started with the same intention, but early in the process realized I’d need a third book to complete the story of an era in Multima Corporation’s evolution.
The great thing about using a multinational company as a back-drop is the life-span. If a business is well-managed, it can continue for generations! WhileUnrelenting Peril is the last story I plan for Multima Corporation, in the future I can return with further books and create a series should I eventually choose that path.
Norm: How much research went into writing your debut novel in the series, Three Weeks Less A Day?
Gary: A lifetime of research went into the book. I might be considered a “poster child” for continuous, life-long experiential learning. I started my career working in a large supermarket chain and learned much about how they work. I made multiple trips to Japan as an executive of the company’s Canadian subsidiary.
During my stint living in Europe to create a new business for a German bank, I learned extensively about western European countries. And, commuting to Asia to develop a new venture for one of America’s largest financial companies, I acquired first-hand knowledge about cultures, countries, and industries that underpin characters and plots in Three Weeks Less a Day.
Norm: What was the time-line between the time you decided to write your book and publication? What were the major events along the way?
Gary: Three Weeks Less a Day was a 4-year process. Writing the book took a few months. Most of the time was devoted to editing because I established two fundamental objectives beyond writing an entertaining story.
First, I wanted the quality of my first novel to be the highest possible. I also wanted it to be broadly appealing. Recognizing we all have biases and different perspectives – including editors – I engaged 4 different professional editors including the publisher’s resource. By design, I chose editors of both genders and different ages. As expected, each provided insights and tips that helped me tweak my story and broaden its appeal. I’m proud of the result.
Norm: How did you go about creating the various characters in the novel and which one was the most difficult to create?
Gary: The most challenging character to create was Howard Knight. I have no first-hand experience with organized crime, so I had to research different criminal elements to better understand some of the circumstances and motivations that lead people to a life of crime. I think readers will enjoy how their view of this character changes over the three stories of the trilogy.
Norm: Did you write the story to express something you believe or was it just for entertainment?
Gary: The overriding objective with all my novels is to entertain. I hope readers will enjoy reading these stories as much as watching a movie or some other form of entertainment. But I also hope to share insights into the most senior levels of company management few readers get to see. I also hope to share values and impart concerns through the dialogue and actions of the characters.
Norm: What do you hope will be the everlasting thoughts for readers who finish Three Weeks Less A Day?
Gary: “Everlasting” is a long time! I don’t take myself or my work too seriously. I don’t expect to shape readers’ views of life. However, I believe organized crime is a curse our society treats too lightly.
From the terrible social consequences of human trafficking to subtle ways billions of dollars evaporate from our legitimate economy for the illegal benefit of an unscrupulous few, organized crime touches us in many different ways. I hope readers become more vigilant and concerned as I show how easy it is for criminal elements to infiltrate and control even the largest of publicly-traded corporations.
Norm: What is next for Gary D. McGugan?
Gary: Book promotion is a primary focus for 2019. Commercial success is integral to long-term writing, and I intend to make my writing successful. Canada’s largest bookseller is very supportive, so I’ll make personal appearances to promote my novels in 75 Indigo/Chapters/Coles locations in Ontario and Montreal this year.
Upcoming dates and locations are on my website at the “Events” tab. Personal appearances take time from writing, but novel #4 is already underway and it will take a different form and style. Even though the new story won’t continue to tell stories about Multima Corporation, a few of the characters readers have come to know will reappear. I’m confident readers will like the story when it’s published in late 2020!
Norm: As this interview comes to an end, what question do you wish that someone would ask about Three Weeks Less A Day, but nobody has?
Gary: I’m curious no one has wondered why Multima’s board of directors wasn’t more diligent about having a succession plan in place. I love to have an opportunity to rant about how lax many boards of directors really are!
Norm: Thanks again and good luck with all of your future endeavors
Follow Here To Read Norm's Review of Three Weeks Less A Day,